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Zoran produced exclusively landscapes and portraits as a commercial artist, whilst as a highly regarded academic artist his style was influenced by erotica, war, agony and brutality. With a brush or pencil in hand he swiftly created masterpieces, however whilst studying further for his master's he was encouraged to consider three dimensions further. The inaugural sculpture colony, which he co-hosted with us, was to have been an opportunity for him to sit quietly on the hilltop with his easel and paints, however the atmosphere generated by his fellow artists caused him to consider joining the fray. He first considered the local white limestone boulders and sketched them as a flock of sheep, but soon evolved this idea into composing a shepherd & shepherdess. Given the medium of railway sleepers & metal rods and Zoran’s penchant for the erotic the finished composition abstracted into male & female phallic symbols, holding a staff.